The bodies in the bogs

Bog pool beneath Errigal Mountain, County Donegal, Ireland. Photo by Gareth McCormack.

Bog pool beneath Errigal Mountain, County Donegal, Ireland. Photo by Gareth McCormack, reproduced with permission. Clicking on the photo takes you to Gareth’s site and more outstanding landscape photography.

In an ancient bog at the foot of a fairy-haunted hill, peat-cutting work lays bare the body of a giant. Carbon dating suggests that the man died at the height of the Iron Age, around 275 B.C.; forensic examination shows that he died hard, stabbed through a lung and then decapitated with an axe. After killing him, his executioners chopped his body in half at the diaphragm, and at some point, perhaps while he was still alive, they also inflicted two pairs of unusual wounds on him. Deep cuts almost severed both his nipples, and his arms were vigorously pierced so that twisted lengths of hazel withy could be threaded through from side to side, presumably to pinion him. After that, his mutilated torso was sunk in a pool where, over the years, bog moss grew up to cradle and cover him, until he became part of the mire itself.

As the dead man’s assailants were most likely perfectly aware, the unusual properties of the bog and the moss combined to preserve his remains. The sour waters of high bogs are as acidic as vinegar, and they support practically no life, yet they contain bog oak – which deeply tans organic matter – and sphagnum moss, which uniquely binds both nitrogen and oxygen, inhibiting bacteria. Trapped in this nutrient poor, anaerobic environment, human remains are preserved almost intact; bones may be leeched and gradually demineralise, but flesh and wood, horn, fur, hair and textiles can and do survive for millennia. So when ditching work uncovered the torn remains that archaeologists now call “Old Croghan Man” outside the little village of Croghan, in County Offaly in the heart of Ireland, investigators could still make out the pores on his skin and inspect the well-manicured fingernails that showed that he had done no manual work and hinted at high status. They could calculate that he had once stood 6 feet 5 inches [1.95m] tall: a great height now, freakish for his day.  And they could feel reasonably certain that that height had been made possible by an unexpectedly rich diet, predominantly comprised of meat. Continue reading

The Breton Bluebeard

Cassia Lupo Widower Bluebeard and the Red Key

“Widower Bluebeard and the Red Key” – a painting from Cassia Lupo’s wonderful series “Fables and myths.” Reproduced with permission and grateful thanks.

For very nearly all its course, the Blavet is a placid river. It winds its way through central Brittany: broad, unhurried, gentle and unthreatening, a favourite among fishermen, and – for the century or so since it was dammed at Guerlédan, creating a substantial lake – a magnet for holidaymakers, too. Yet even there, at the heart of an ancient county that knows its history as well as anywhere in France, not one person in a thousand could tell the awful history of the river. Few realise that there were times when it was not so tame, or can point to where the outlines of an ancient fortress can yet be traced, up on the heights above the dam. And almost nobody recalls the lord of that forgotten castle, or could tell you why, until about 150 years ago, Breton peasants crossed themselves at the mere mention of his name.

His name was Conomor the Cursed, and he lived in the darkest of the Dark Ages – in the first half of the 6th century, 150 years or more after the fall of Rome, when much of Brittany was still dotted with dolmens and covered by primeval forest, when warlords squabbled with one another other over patrimonies that were generally less than 40 miles across, and the local peoples were as likely to be pagan as they were Christian. We know almost nothing about him, save that he was probably a Briton, very probably a tyrant, and that his deeds were remembered long enough to give rise to a folkloric tradition of great strength – one that endured for almost 1,500 years. But the folk-tales hint at someone quite extraordinary. In local lore, Conomor not only continued to roam the vast forest of Quénécan,  south of his castle, as a bisclaveret – a werewolf – and served as a spectral ferryman on another Breton river, making off with Christian souls; he was also the model for Bluebeard, the monstrous villain of Charles Perrault’s famous fairy tales. Continue reading

The longest prison sentences ever served: redux

Prison walls

Who served out the longest prison sentence known to history? My extensive investigation – begun in 2010 but now comprehensively updated – answers that question [it’s Charles Fossard, of Australia, with an all-but-incomprehensible 70 years, 303 days]. It also takes a look at some of Fossard’s unwitting and unwilling rivals, and tries to go inside the cells, to hear from the prisoners themselves. Their stories are often brutal, occasionally pathetic, but always surprisingly compelling.

The full story – which includes numerous case studies, a state-by-state listing of the longest sentences served everywhere from Alabama to Wisconsin, a look at record stretches from elsewhere, some notes on extraordinary cases of protracted solitary confinement, and a listing of all 16 known cases of men who spent in excess of 60 years behind bars – can be read here.

 

Final straggler: the Japanese soldier who outlasted Hiroo Onoda

Nakamura Teruo lead

Teruo Nakamura, a soldier in the Imperial Japanese Army, survived deep in the jungles of Morotai for 29 years after the end of World War II – becoming the last of more than 120 stragglers to be rounded up on various islands in Indonesia and the Pacific between 1947 and 1974.

Japan’s past met its present, four decades ago, by a river in a rainforest on the island of Lubang. The encounter took place late in the tropical dusk of 20 February 1974, as the breeze died and the air grew thick with flying insects. Representing the present was a college drop-out by the name of Norio Suzuki, 24 years old and clad in a T-shirt, dark blue trousers, socks, a pair of rubber sandals. He was stooping, making up a fire from a pile of twigs and branches, quite unaware that he was watched. The past, meanwhile, peered out from the cover of the jungle, wondering if the young man was some sort of trap. The man gazing from the forest fringe wore the remnants of an army uniform, and he carried a rifle. At the time of the encounter, he had been hiding in the interior of Lubang for almost 30 years, steadfastly continuing to wage a war that had ended with Japan’s surrender in Tokyo Bay on 2 September 1945.

The past’s name was Hiroo Onoda. He was an intelligence officer in the Imperial Japanese Army, he was then just shy of his fifty-second birthday, and he was about to become famous. Continue reading

Aqua Tofana: slow-poisoning and husband-killing in 17th century Italy

Detail from

Detail from “The love potion”, by the nineteenth century Pre-Raphaelite Evelyn De Morgan. The tangled tale of Aqua Tofana is intimately connected to the “criminal magical underworlds” of the 17th century, which supplied love philtres, potions, medicines and poisons to a mostly female clientele.

Early in the autumn of 1791, while he was still hard at work on the great requiem mass that would form such a large part of his legend, Wolfgang Amadeus Mozart fell seriously ill. Convinced that there was no chance of recovery, he

began to speak of death, and asserted that he was setting the Requiem for himself… “I feel definitely,” he continued, “that I will not last much longer; I am sure that I have been poisoned. I cannot rid myself of this idea… Someone has given me acqua tofana and calculated the precise time of my death.

Scholars have wrangled now for two full centuries over the circumstances of the great composer’s passing. A handful have concluded that he really was murdered. Most support rival diagnoses of syphilis, rheumatic fever or even the deadly effects of eating undercooked pork chops. Whatever the truth, though, and however he died, Mozart was certainly convinced that there existed a rare poison, one that was colourless, tasteless, odourless, beyond detection – and also so flexibly murderous that a carefully-calculated dose could guarantee a victim’s death a week, a month or even a year after it had been administered.

Nor was the composer alone in this belief. Forgotten though it is today, the mysterious liquid that he feared so much was one of the great whispered secrets of early modern Europe. Aqua Tofana was credited with what amounted to supernatural powers, and blamed for hundreds of agonising deaths. Which is odd, since it is very far from clear that it ever existed – and, if it did, what it was, where it was invented, where first used, and when and how it got its name. Continue reading

Slavery on the Steppes: Finnish children in the slave markets of medieval Crimea

the-slave-market-of-constantinople-by-william-allan-1838

The Constantinople slave market in 1838. The painter, William Allen, claimed to have painted the scene from life, though certainly he was as inclined as most western Christian gentlemen of the day to look down on the Ottoman Empire and its people as intrinsically alien and inferior.

The horrors of the trans-Atlantic slave trade have left an ineradicable mark on history. In the course of a little more than three and a half centuries, 12.5 million prisoners – at least two-thirds of them men destined for a life of labour in the fields – were shipped from holding pens along the African coast to destinations ranging from Argentina in the south all the way north to Canada. It was the largest forced migration in modern history.

When we think of slavery, we tend to think of this African traffic. Yet it was not the only such trade – nor was it, before 1700, even the largest. A second great market in slaves once sullied the world, this one less well-known, vastly longer-lasting, and centred on the Black Sea ports of the Crimea. It was a huge trade in its own right; in its great years, which lasted roughly from 1200 until 1760, an estimated 6.5 million prisoners were shipped off to new and often intensely miserable lives in places ranging from Italy to India.

Slavery in the Crimea, however, differed in significant ways from the model made so familiar by the trans-Atlantic trade. The slaves sold there were drawn for the most part from the great plains of the Ukraine and southern Russia in annual raids known as the “harvesting of the steppe.” Their masters were successively Vikings, Italians and Tatars – the latter being, for nearly half of the trade’s life, the subjects of the Crimean Khanate, a state that owed its own long life to its ability to satisfy demand for slaves. And most of the slaves themselves were not male labourers. They were women and children destined for domestic service – a fate that not infrequently included sexual service. The latter sort of slave was always fairly commonplace in the Crimea. When the Ottoman writer Evliya Çelebi toured the north shores of the Black Sea in 1664, he noted down some examples of the local dialect that he hoped other travellers to the region might find useful. Among the phrases that Çelebi selected were “Bring a girl” and “I found no girl, but I found a boy.” Continue reading

America’s first highjacking

Earnest Pletch, 'The Flying Lochinvar': early highjacker and committer of a spectacularly pointless murder.

Earnest Pletch, ‘The Flying Lochinvar’: pioneer highjacker and committer of a spectacularly pointless murder.

Earnest Pletch was mad on planes and mad on flying. In itself, that was scarcely uncommon in the America of the 1930s, a dozen years after Charles Lindbergh’s solo crossing of the Atlantic turned the United States into the epicentre of everything exciting in the aviation world. Yet Pletch was a pretty unusual case. He came from a well-off family, but had dropped out of school to find work in a travelling show. He was a serial husband and adulterer who was already, at the age of 29, planning to abandon his third wife. And he had actually been taking flying lessons.

Now – late on the afternoon of 27 October 1939 – Pletch was looking forward to going solo. He was not going to take the controls in the usual way, however. He was going to do so after shooting his pilot in the back of the head.

He may be long forgotten now, but Pletch came briefly to America’s attention that autumn after booking tuition in Missouri with a pilot by the name of Carl Bivens. Midway through the third of these sessions, while airborne at 5,000 feet and sitting in the rear seat of a tandem training plane equipped with dual controls, he pulled a revolver from a trouser pocket and, without giving any warning, sent two .32 calibre bullets through Bivens’s skull. Pletch then managed to land the plane, dumped the instructor’s body in a thicket, and took off again, heading north to his home state to… well, what he intended to do was never really clear, and we will come to that. Continue reading

Queen Victoria’s £5: the strange tale of Turkish aid to Ireland during the Great Famine

A destitute Irish family search a stubble field for healthy potatoes at the height of the Great Famine of 1845-51. At least a million people–one in eight of the population–starved to death during the disaster. Thousands more, though, were saved by the exertions of relief funds–the contributors to which included both the Ottoman sultan and Queen Victoria.

A destitute Irish family search a stubble field for healthy potatoes at the height of the Great Famine of 1845-51. At least a million people–one in eight of the population–starved to death during the disaster. Thousands more, though, were saved by the exertions of relief funds–the contributors to which included both the Ottoman sultan and Queen Victoria.

The most striking thing about the ghastly blight that ruined Ireland’s potato crop in 1845 was that the harvest had seemed healthy, even robust, when it was lifted from the ground.

Within a day or two, however, rot set in. Potatoes that had looked firm and edible turned black and then disintegrated into a stinking, liquid mess. No one knew why. John Lindley, the editor of the Gardeners’ Chronicle, guessed that this “wet putrefaction” was a disease borne in from the Atlantic by torrential gales. Others thought that the blight had somehow risen up from underground, so that the soil itself was now infected.

The one certainty was that every measure tried to save the harvest failed. “All specifics, all nostrums were useless,” the historian Cecil Woodham-Smith observed. “Whether ventilated, desiccated, salted, or gassed, the potatoes melted… and pits, on being opened, were found to be filled with diseased potatoes–‘six months’ provisions a mass of rottenness.’” The blight struck everywhere that year, from North America to Belgium, and the Irish had long been distressingly familiar with disastrous harvests; twenty-four previous crop failures had been recorded between 1728 and 1844. Several of these had caused suffering “horrible beyond description,” and it has been estimated that very nearly half a million people died during Ireland’s “Year of Slaughter” (1740-41), when a freezing winter caused the oat crop to fail. But the catastrophe of 1845 was was remembered as the greatest of them all, and it affected Ireland more profoundly than it did anywhere else, with the possible exception of the Scottish Highlands. Continue reading

The Fayum mummy portraits

Some Fayum portraits, dating collectively to the period AD70-250. The numbers refer to discussions in the text.

Some Fayum portraits, dating collectively to the period AD 70-250. The numbers refer to discussions in the text.

She is very beautiful. Her face is flawless: long and olive skinned, the nose long too, but neat and narrow, the brows crafted, the chin just firm enough to suggest a certain liveliness of character. She has dark hair, and one gets the distinct impression that it has potential for unruliness, but it has been called to order and fashionably styled, cut short over the ears in order to display expensive jewellery. A half-smile plays about her lips, and it does not seem too much to read a hint of amusement into her large brown eyes. It is easy to imagine meeting her at some elegant affair, for she seems alive – yet she is dead, and has been dead for rather more than 1,800 years [1].

Continue reading

Three 1950s youths in a medieval plague village

Kersey in 1957. Although Jack Merriott's watercolor presents an idealized image of the village – it was commissioned for use in a railway advertising campaign – it does give an idea of just how 'old' Kersey must have looked to strangers in the year it became central to a 'timeslip' case.

Kersey in 1957. Although Jack Merriott’s watercolor presents an idealized image of the village – it was commissioned for use in a railway advertising campaign – it does give an idea of just how ‘old’ Kersey must have looked to strangers in the year it became central to a ‘timeslip’ case.

Looking back, the really strange thing was the silence. The way the church bells stopped ringing as the little group of naval cadets neared the village. The way even the ducks stood quiet and motionless by the shallow stream that ran across the road where the main street began.

And, when the boys thought about it afterward, they recalled that even the autumn birdsong faded as they neared the first houses. The wind had dropped to nothing, too.

Not a leaf stirred on the trees they passed. And the trees appeared to cast no shadows.

The street itself was quite deserted—not so odd, perhaps, for a Sunday morning in 1957, especially in the rural heart of England. But even the remotest British hamlets displayed some signs of modernity by then—cars parked by the roadside, phone wires strung along the roads, aerials on roofs—and there was nothing of that sort in this village. In fact, the houses on the high street all looked ancient; they were ragged, hand-built, timber-framed: “almost medieval in appearance,” one boy thought.

The three, all Royal Navy cadets, walked up to the nearest building and pressed their faces to its grimy windows. They could see that it was some sort of butcher’s shop, but what they glimpsed in the interior was even more unsettling. As one of them recalled for the author Andrew MacKenzie:

There were no tables or counters, just two or three whole oxen carcasses which had been skinned and in places were quite green with age. There was a green-painted door and windows with smallish glass panes, one at the front and one at the side, rather dirty-looking. I remember that as we three looked through that window in disbelief at the green and mouldy green carcasses… the general feeling certainly was one of disbelief and unreality… Who would believe that in 1957 that the health authorities would allow such conditions?

They peered into another house. More