Sweden

Detail from “The love potion”, by the nineteenth century Pre-Raphaelite Evelyn De Morgan. The tangled tale of Aqua Tofana is intimately connected to the “criminal magical underworlds” of the 17th century, which supplied love philtres, potions, medicines and poisons to a mostly female clientele.

Early in the autumn of 1791, while he was still hard at work on the great requiem mass that would form such a large part of his legend, Wolfgang Amadeus Mozart fell seriously ill. Convinced that there was no chance of recovery, he

began to speak of death, and asserted that he was setting the Requiem for himself… “I feel definitely,” he continued, “that I will not last much longer; I am sure that I have been poisoned. I cannot rid myself of this idea… Someone has given me acqua tofana and calculated the precise time of my death.

Scholars have wrangled now for two full centuries over the circumstances of the great composer’s passing. A handful have concluded that he really was murdered. Most support rival diagnoses of syphilis, rheumatic fever or even the deadly effects of eating undercooked pork chops. Whatever the truth, though, and however he died, Mozart was certainly convinced that there existed a rare poison, one that was colourless, tasteless, odourless, beyond detection – and also so flexibly murderous that a carefully-calculated dose could guarantee a victim’s death a week, a month or even a year after it had been administered.

Nor was the composer alone in this belief. Forgotten though it is today, the mysterious liquid that he feared so much was one of the great whispered secrets of early modern Europe. Aqua Tofana was credited with what amounted to supernatural powers, and blamed for hundreds of agonising deaths. Which is odd, since it is very far from clear that it ever existed – and, if it did, what it was, where it was invented, where first used, and when and how it got its name. Continue reading →

The mummified head of Charles XII, photographed at the time of his exhumation in 1917, and showing the exit wound–or was it?–left by the projectile that killed him during the siege of Fredrikshald in 1718.

Sweden has had her share of memorable monarchs. In the 16th and 17th centuries, it seemed that every other ruler crowned in Stockholm was astonishing in one way or another. Gustav Vasa, Gustavus Adolphus, Queen Christina, Charles XI–between them, to the surprise of generations of students who have presumed that the conjunction of the words “Swedish” and “imperialism” in their textbooks is some sort of typographical error, they turned the country into the greatest power in northern Europe. “I had no inkling,” the writer Gary Dean Peterson admits in his study of this period, “that the boots of Swedish soldiers once trod the streets of Moscow, that Swedish generals had conquered Prague and stood at the gates of Vienna. Only vaguely did I understand that a Swedish king had defeated the Holy Roman Emperor and held court on the Rhine, that a Swede had mounted the throne of Poland, then held at bay the Russian and Turk.” But they did and he had.

The Swedish monarchs of this period were fortunate. They ruled at a time when England, France and Germany were torn apart by wars between Catholics and Protestants, as the great Polish-Lithuanian Commonwealth began its steep decline and before Muscovy had transformed itself into Russia and begun its drive to the west. Yet their empire endured into the 1720s, and even then it took two decades of constant war to destroy it—not to mention an overwhelming alliance of all of their enemies, led by the formidable Peter the Great. Continue reading →