The blood eagle

Vikings as portrayed in a 19th-century source: fearsome warriors and sea raiders.

Ninth-century Scandinavia has had a good press in recent years. As late as the 1950s, when Kirk Douglas filmed his notorious clunker The Vikings—a movie that featured lashings of fire and pillage, not to mention Tony Curtis clad in an ahistorical and buttocks-skimming leather jerkin—most popular histories still cast the Denmark and Norway of the Dark Ages as nations overflowing with bloodthirsty warriors who were much given to horned helmets and drunken ax-throwing contests. If they weren’t worshiping the pagan gods of Asgard, these Vikings were sailing their longships up rivers to sack monasteries while ravishing virgins and working themselves into berserker rages.

Since the early 1960s, though—we can date the beginning of the change to the publication of Peter Sawyer’s influential The Age of the Vikings (1962)—rehabilitation has been almost complete. Today, historians are likely to stress that the Vikings were traders and settlers, not rapists and killers. The Scandinavians’ achievements have been lauded—they sailed all the way to America and produced the Lewis Chessmen—and nowadays some scholars go so far as to portray them as agents of economic stimulus, occasional victims of their more numerous enemies, or even (as a recent campaign organized by the University of Cambridge suggested) men who “preferred male grooming to pillaging,” carrying around ear spoons to remove surplus wax. To quote the archaeologist Francis Pryor, they “integrated into community life” and “joined the property-owning classes” in the countries they invaded.

Much of this is, of course, necessary revisionism. The Vikings did build a civilization, did farm and could work metal. But, as the medievalist Jonathan Jarrett notes, the historical evidence also shows that they took thousands of slaves and deserved their reputation as much-feared warriors and mercenaries. They could be greedy and implacable foes, and over the centuries reduced several strong and wealthy kingdoms (not least Anglo-Saxon England) to the point of collapse. Much of the time, moreover, the same men who were doing the farming and the metalworking were also responsible for the raping and looting—it was a matter of economic imperative that Vikings who planted crops in the poor soil of Norway, Orkney or northern Scotland in the spring went raiding in the summer before returning home at harvest-time. Finally, as Jarrett points out, being a well-groomed but brutal soldier is scarcely a contradiction in terms. One of the Viking fighters killed at the Battle of Stamford Bridge in 1066 gloried in the nickname of Olaf the Flashy, and “the era that invented and lauds James Bond really shouldn’t need telling that someone can plausibly be all of heroic, well-dressed and pathologically violent.”
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Inside the Great Pyramid

The Great Pyramid–built for the Pharaoh Khufu in about 2570 B.C., sole survivor of the Seven Wonders of the ancient world, and still arguably the most mysterious structure on the planet

The Great Pyramid–built for the Pharaoh Khufu in about 2570 B.C. [rear], sole survivor of the Seven Wonders of the ancient world, and still arguably the most mysterious structure on the planet

There is a story, regrettably apocryphal, about Napoleon and the Great Pyramid. When Bonaparte visited Giza during his Nile expedition of 1798 (it goes), he determined to spend a night alone inside the King’s Chamber, the granite-lined vault that lies precisely in the center of the pyramid. This chamber is generally acknowledged as the spot where Khufu, the most powerful ruler of Egypt’s Old Kingdom (c.2690-2180 BC), was interred for all eternity, and it still contains the remains of Pharaoh’s sarcophagus—a fractured mass of red stone that is said to ring like a bell when struck.

Having ventured alone into the pyramid’s forbidding interior and navigated its cramped passages armed with nothing but a guttering candle, Napoleon emerged the next morning white and shaken, and thenceforth refused to answer any questions about what had befallen him that night. Not until 23 years later, as he lay on his death bed, did the emperor at last consent to talk about his experience. Hauling himself painfully upright, he began to speak—only to halt almost immediately.

“Oh, what’s the use,” he murmured, sinking back. “You’d never believe me.” Continue reading

The strange tale of the Warsaw basilisk

A basilisk–a lethally poisonous monster hatched from a cock’s egg–illustrated in a mediaeval bestiary. Note the weasel gnawing at its breast; only they were impervious to basilisk venom.

A basilisk–a lethally poisonous monster hatched from a cock’s egg–illustrated in a mediaeval bestiary. Note the weasel gnawing at its breast; only they were impervious to basilisk venom.

Few creatures have struck more terror into more hearts for longer than the basilisk: a crested snake, hatched from a cock’s egg, that was widely believed to wither landscapes with its breath and kill with a glare. The example to the right comes from a German bestiary, but the earliest description that we have was given by Pliny the Elder, who described the basilisk in his pioneering Natural History (79AD) – the 37 volumes of which he completed shortly before being suffocated by the sulphurous fumes of Vesuvius while investigating the eruption that consumed Pompeii. According to the Roman savant, it was a small animal, “not more than 12 fingers in length,” but astoundingly deadly nonetheless. “He does not impel his body, like other serpents, by a multiplied flexion,” Pliny wrote, “but advances loftily and upright” – a description that accords with the popular notion that the basilisk is the king of serpents – and “kills the shrubs, not only by contact, but by breathing on them, and splits rocks, such power of evil is there in him.” The basilisk was native to Libya, it was said, and the Romans believed that the Sahara had been fertile land until an infestation of basilisks turned it into a desert.

The Roman poet Lucan was one of the first authors to describe the basilisk. His work stressed the horrors of the monster’s lethal venom.

The Roman poet Lucan stressed the horrors of the monster’s lethal venom.

Pliny is not the only ancient author to mention the basilisk. The Roman poet Lucan, writing only a few years later, described another characteristic commonly ascribed to the monster – the idea that it was so venomous that if a man on horseback stabbed one with a spear, the poison would flow up through the weapon and kill not only the rider but the horse as well. The only creature that the basilisk feared was the weasel, which ate rue to render it impervious to its venom, and would chase and kill the serpent in its lair.

The basilisk was popular in medieval bestiaries, and it was in this period that a great deal of additional myth grew up around it. It became less a serpent than a mix of snake and rooster; it was almost literally hellish. More