The Constantinople slave market in 1838. The painter, William Allen, claimed to have painted the scene from life, though certainly he was as inclined as most western Christian gentlemen of the day to look down on the Ottoman Empire and its people as intrinsically alien and inferior.
The horrors of the trans-Atlantic slave trade have left an ineradicable mark on history. In the course of a little more than three and a half centuries, 12.5 million prisoners – at least two-thirds of them men destined for a life of labour in the fields – were shipped from holding pens along the African coast to destinations ranging from Argentina in the south all the way north to Canada. It was the largest forced migration in modern history.
When we think of slavery, we tend to think of this African traffic. Yet it was not the only such trade – nor was it, before 1700, even the largest. A second great market in slaves once sullied the world, this one less well-known, vastly longer-lasting, and centred on the Black Sea ports of the Crimea. It was a huge trade in its own right; in its great years, which lasted roughly from 1200 until 1760, an estimated 6.5 million prisoners were shipped off to new and often intensely miserable lives in places ranging from Italy to India.
Slavery in the Crimea, however, differed in significant ways from the model made so familiar by the trans-Atlantic trade. The slaves sold there were drawn for the most part from the great plains of the Ukraine and southern Russia in annual raids known as the “harvesting of the steppe.” Their masters were successively Vikings, Italians and Tatars – the latter being, for nearly half of the trade’s life, the subjects of the Crimean Khanate, a state that owed its own long life to its ability to satisfy demand for slaves. And most of the slaves themselves were not male labourers. They were women and children destined for domestic service – a fate that not infrequently included sexual service. The latter sort of slave was always fairly commonplace in the Crimea. When the Ottoman writer Evliya Çelebi toured the north shores of the Black Sea in 1664, he noted down some examples of the local dialect that he hoped other travellers to the region might find useful. Among the phrases that Çelebi selected were “Bring a girl” and “I found no girl, but I found a boy.” Continue reading
Australian convicts formed into a chain gang – a sketch made near Sydney in 1842.
What is it that makes us human? The question is as old as man, and has had many answers. For quite a while, we were told that our uniqueness lay in using tools; today, some seek to define humanity in terms of an innate spirituality, or a creativity that cannot (yet) be aped by a computer. For the historian, however, another possible response suggests itself. That’s because our history can be defined, surprisingly helpfully, as the study of a struggle against fear and want—and where these conditions exist, it seems to me, there is always that most human of responses to them: hope.
The ancient Greeks knew it; that’s what the legend of Pandora’s box is all about. And Paul’s First Letter to the Corinthians speaks of the enduring power of faith, hope and charity, a trio whose appearance in the skies over Malta during the darkest days of World War II is worthy of telling of some other day. But it is also possible to trace a history of hope. It emerges time and again as a response to the intolerable burdens of existence, beginning when (in Thomas Hobbes’s famous words) life in the “state of nature” before government was “solitary, poor, nasty, brutish and short,” and running like a thread on through the ancient and medieval periods until the present day.
I want to look at one unusually enduring manifestation of this hope: the idea that somewhere far beyond the toil and pain of mere survival there lies an earthly paradise, which, if reached, will grant the traveler an easy life. This utopia is not to be confused with the political or economic Shangri-las that have also been believed to exist somewhere “out there” in a world that was not yet fully explored (the kingdom of Prester John, for instance–a Christian realm waiting to intervene in the war between crusaders and Muslims in the Middle East–or the golden city of El Dorado, concealing its treasure deep amidst South American jungle). It is a place that’s altogether earthier—the paradise of peasants, for whom heaven was simply not having to do physical labor all day, every day.
The best stories from history lie beyond the margins of textbooks, says the historian. He tells us about five extraordinary tales from the past, from visions of the Virgin Mary to the golden age of the American con artist.
Here’s the text of a long interview that I gave to the brilliant The Browser site about ‘hidden history’ – what it is, what bits of it are most worth reading, and why we should care. I’m pretty happy with how it came out, and if you like the sort of stories featured in this blog and are looking for some recommendations for further reading, it’s not a bad place to start.
Will you start by telling me what you mean by “hidden history”?
For me, it’s the history that exists beyond the margins and the textbooks and what we normally consider to be history: George Washington, Henry VIII, Hitler. I have the capacity to be interested in pretty much all history, because it’s all about us being human. But I’m most interested in stuff no one else is interested in – I really like knowing things that other people have missed out on. All the books I’ve recommended are about periods and episodes in history that are little known but which I find peculiarly fascinating. I think that’s because they are all, ultimately, about the extremes of human experience. We can learn a lot about ourselves as human beings by seeing how we react in instances where we are confronted by extremes – whether they are economic, as in my book Tulipomania [about the 17th century tulip market in Holland], or life-threatening, as in Batavia’s Graveyard [about a Dutch East India company ship that was shipwrecked in 1629].
And all these books you’ve chosen, as well as your own, are very much about the individuals and their stories?
Yes, I’m interested in the ordinary people of history. One of the things I try to do when I write is to dignify them by showing a bit of interest in their lives and what happened to them, rather than treating them as if they’re another disposable number, which is how, quite often, they were treated in life. All these books I’ve chosen have a similar sort of approach. For example, Joseph Mitchell is renowned for taking seriously people who were very much at the margins of New York society. Continue reading
St Francis receives the stigmata. From a foil plaque on a 13th- century reliquary.
On September 14, 1224, a Saturday, Francis of Assisi—noted ascetic and holy man, future saint—was preparing to enter the second month of a retreat with a few close companions on Monte La Verna, overlooking the River Arno in Tuscany. Francis had spent the previous few weeks in prolonged contemplation of the suffering Jesus Christ on the cross, and he may well have been weak from protracted fasting. As he knelt to pray in the first light of dawn (notes the Fioretti—the ‘Little flowers of St Francis of Assisi,’ a collection of legends and stories about the saint),
he began to contemplate the Passion of Christ… and his fervor grew so strong within him that he became wholly transformed into Jesus through love and compassion…. While he was thus inflamed, he saw a seraph with six shining, fiery wings descend from heaven. This seraph drew near to St Francis in swift flight, so that he could see him clearly and recognize that he had the form of a man crucified… After a long period of secret converse, this mysterious vision faded, leaving… in his body a wonderful image and imprint of the Passion of Christ. For in the hands and feet of Saint Francis forthwith began to appear the marks of the nails in the same manner as he had seen them in the body of Jesus crucified.
In all, Francis found that he bore five marks: two on his palms and two on his feet, where the nails that fixed Christ to the cross were traditionally believed to have been hammered home, and the fifth on his side, where the Bible says Jesus had received a spear thrust from a Roman centurion.
Thus was the first case of stigmata—the appearance of marks or actual wounds paralleling those Christ received during Crucifixion—described. Later stigmatics (and there have been several hundred of them) have exhibited similar marks, though some bear only one or two wounds, while others also display scratches on their foreheads, where Christ would have been injured by his crown of thorns. Through the centuries, stigmata has become one of the best-documented, and most controversial, of mystical phenomena. The extensive record makes it possible to compare cases that occurred centuries apart.
The “Chandos Portrait” of Shakespeare–dating to c.1600 and one of only two that may have been painted from life–is thought to be the work of the playwright’s “intimate friend” John Taylor of the Painter-Stainers’ Company (though it may not show Shakespeare at all). Its be-earringed playwright, pictured without the usual ruff, seems to show an altogether tougher character than the figure that appears in more familiar likenesses.
You wouldn’t think it by looking at the long line of Shakespeare biographies on the library shelves, but everything we know for sure about the life of the world’s most revered playwright would fit comfortably onto a few pages.
Yes, we know that a man named Will Shakespeare was born in the Warwickshire town of Stratford-upon-Avon in 1564. We know that someone of pretty much the same name married and had children there (the baptismal register says Shaxpere, the marriage bond Shagspere), that he went to London, was an actor. We know that some of the most wonderful plays ever written were published under this man’s name–though we also know so little about his education, experiences and influences that an entire literary industry exists to prove that Shaxpere-Shagspere did not write, could not have written, them. We know that our Shakespeare gave evidence in a single obscure court case, signed a couple of documents, went home to Stratford, made a will and died in 1616.
And that’s just about it.
In one sense, this is not especially surprising. We know as much about Shakespeare as we know about most of his contemporaries–Ben Jonson, for instance, remains such a cipher that we can’t be sure where he was born, to whom, or even exactly when. “The documentation for William Shakespeare is exactly what you would expect of a person of his position at that time,” says David Thomas of Britain’s National Archives. “It seems like a dearth only because we are so intensely interested in him.” Continue reading
A basilisk–a lethally poisonous monster hatched from a cock’s egg–illustrated in a mediaeval bestiary. Note the weasel gnawing at its breast; only they were impervious to basilisk venom.
Few creatures have struck more terror into more hearts for longer than the basilisk: a crested snake, hatched from a cock’s egg, that was widely believed to wither landscapes with its breath and kill with a glare. The example to the right comes from a German bestiary, but the earliest description that we have was given by Pliny the Elder, who described the basilisk in his pioneering Natural History (79AD) – the 37 volumes of which he completed shortly before being suffocated by the sulphurous fumes of Vesuvius while investigating the eruption that consumed Pompeii. According to the Roman savant, it was a small animal, “not more than 12 fingers in length,” but astoundingly deadly nonetheless. “He does not impel his body, like other serpents, by a multiplied flexion,” Pliny wrote, “but advances loftily and upright” – a description that accords with the popular notion that the basilisk is the king of serpents – and “kills the shrubs, not only by contact, but by breathing on them, and splits rocks, such power of evil is there in him.” The basilisk was native to Libya, it was said, and the Romans believed that the Sahara had been fertile land until an infestation of basilisks turned it into a desert.
The Roman poet Lucan stressed the horrors of the monster’s lethal venom.
Pliny is not the only ancient author to mention the basilisk. The Roman poet Lucan, writing only a few years later, described another characteristic commonly ascribed to the monster – the idea that it was so venomous that if a man on horseback stabbed one with a spear, the poison would flow up through the weapon and kill not only the rider but the horse as well. The only creature that the basilisk feared was the weasel, which ate rue to render it impervious to its venom, and would chase and kill the serpent in its lair.
The basilisk was popular in medieval bestiaries, and it was in this period that a great deal of additional myth grew up around it. It became less a serpent than a mix of snake and rooster; it was almost literally hellish. More