King, magician, general … slave: Eunus and the First Servile War against Rome

Buried in chains – a Roman-era skeleton, thought to be that of a male slave, excavated near Bordeaux. The body was buried with shackles around the neck, and dates from the 1st century AD.

Buried in chains – a Roman-era skeleton, thought to be that of a male slave, excavated near Bordeaux. The body was buried with shackles around the neck, and dates from the 1st century AD.

The omens had been terrible that year. In Rome, a slave girl gave birth to a monster: “a boy with four feet, four hands, four eyes, double the usual number of ears, and two sets of sexual organs,” most likely a case of Siamese twins. In Sicily, Mount Etna erupted “in flashes of fire,” spewing gouts of molten rock and scorching ash that torched rich landowners’ property for miles around.

It all pointed to trouble – to trouble in Sicily, and most of all to trouble with the slaves. And when that trouble came, it made sense of the portents, for it was the work of a slave who was in Roman eyes a monster. He was a magician who belched flames like the volcano, an adept who foretold futures, and a messianic priest-king who served a grotesque foreign goddess and led his people in a revolt that lasted half a decade, taking five large Roman armies to put down.

A statue of Eunus outside the walls of a citadel in Enna, the formidable hill-top fortress that was his ancient capital.

A statue of Eunus outside the walls of the citadel at Enna, in the interior of Sicily. The formidable hill-top fortress was once his ancient capital.

His name was Eunus – which may be translated, roughly, as “the kindly one” – and although he is practically forgotten now, he was a leader fit to rank alongside Spartacus – or, in truth, above him, for while both men were slaves who masterminded wars against Rome (Spartacus six decades later), Eunus’s rebellion was four or five times as large, and it lasted something like three times as long. He built a state, which Spartacus never tried to do, and all the evidence suggests that he inspired fierce loyalty in ways the Thracian gladiator could not – after all, Spartacus (to the surprise of those who know him from romantic film and television portrayals) was undone as much by dissension within the ranks of his own army as he was by the might of the legions that were sent against him. And when the end came for Eunus, it did so in a götterdämmerung reminiscent of nothing so much as the fall of Masada, the Jewish mountain-top fortress taken by Rome around 74 A.D. At Masada, the 960 surviving defenders committed suicide en masse rather than fall into the hands of their enemies. In Sicily, the thousand picked men of the slave-king’s bodyguard hacked their way out of encirclement, only to kill one another in an identical pact when their position became hopeless – leaving their leader and his last four followers to be hunted down in the furthest reaches of the mountains that had protected them for years. Continue reading

Slavery on the Steppes: Finnish children in the slave markets of medieval Crimea

the-slave-market-of-constantinople-by-william-allan-1838

The Constantinople slave market in 1838. The painter, William Allen, claimed to have painted the scene from life, though certainly he was as inclined as most western Christian gentlemen of the day to look down on the Ottoman Empire and its people as intrinsically alien and inferior.

The horrors of the trans-Atlantic slave trade have left an ineradicable mark on history. In the course of a little more than three and a half centuries, 12.5 million prisoners – at least two-thirds of them men destined for a life of labour in the fields – were shipped from holding pens along the African coast to destinations ranging from Argentina in the south all the way north to Canada. It was the largest forced migration in modern history.

When we think of slavery, we tend to think of this African traffic. Yet it was not the only such trade – nor was it, before 1700, even the largest. A second great market in slaves once sullied the world, this one less well-known, vastly longer-lasting, and centred on the Black Sea ports of the Crimea. It was a huge trade in its own right; in its great years, which lasted roughly from 1200 until 1760, an estimated 6.5 million prisoners were shipped off to new and often intensely miserable lives in places ranging from Italy to India.

Slavery in the Crimea, however, differed in significant ways from the model made so familiar by the trans-Atlantic trade. The slaves sold there were drawn for the most part from the great plains of the Ukraine and southern Russia in annual raids known as the “harvesting of the steppe.” Their masters were successively Vikings, Italians and Tatars – the latter being, for nearly half of the trade’s life, the subjects of the Crimean Khanate, a state that owed its own long life to its ability to satisfy demand for slaves. And most of the slaves themselves were not male labourers. They were women and children destined for domestic service – a fate that not infrequently included sexual service. The latter sort of slave was always fairly commonplace in the Crimea. When the Ottoman writer Evliya Çelebi toured the north shores of the Black Sea in 1664, he noted down some examples of the local dialect that he hoped other travellers to the region might find useful. Among the phrases that Çelebi selected were “Bring a girl” and “I found no girl, but I found a boy.” Continue reading

A little bit of background: The crucifixion of Prince Klaas

Prince Klaas lashed to the wheel - the image on display at the Museum of Antigua and Barbuda in St John's, Antigua.

Prince Klaas lashed to the wheel – the image on display at the Museum of Antigua and Barbuda in St John’s, Antigua.

The story of Prince Klaas, the rebel slave, is one of the highlights of the charming Museum of Antigua and Barbuda in St John’s, which I had the chance to wander around in December 2012 while doing some lecturing in the Caribbean. Slave revolts have been an interest of mine for years, and I was familiar with the outlines of Klaas’s remarkable story – which I wrote up for the Smithsonian at the time (causing a certain amount of upset in Antigua itself among people who don’t seem to have actually read the article very closely). But I had never seen a picture that purported to show him, and in fact it’s vanishingly rare for images of slave leaders to survive from so early a period as the first half of the eighteenth century. So when I discovered that the museum displayed a drawing of Klaas, naked, strapped face down to a wheel, and being lashed, I snapped it and later used it as an illustration in the essay that I wrote.

I felt a little bit uneasy about this. There was something not quite right about the sketch. Klaas, after all, had been bound in order to suffer the appalling punishment of breaking on the wheel – a form of execution that involved the systematic pulverisation of the victim’s bones that is, in effect, a form of crucifixion. Yet the drawing showed Klaas being whipped, not shattered. The wheel that he was strapped to seemed to be lying on the ground, when in reality it would have been mounted on an axle, the better to rotate the victim to face the executioner’s blows. The man administering the punishment was black, implying that he was the overseer on a plantation, not an executioner employed by the Antiguan government. And the artist had depicted only a handful of spectators, not the substantial crowd that watched Klaas die.

Eventually I decided to take a closer look at the problem, and spent a little while researching images of slavery. I soon discovered that my misgivings were correct. Continue reading

The crucifixion of Prince Klaas: Antigua’s disputed slave rebellion of 1736

Prince Klaas, leader of the supposed slave rebellion on Antigua, on the wheel.

Breaking on the wheel was the most horrific punishment ever visited on a convicted criminal. It was a form of crucifixion, but with several cruel refinements; in its evolved form, a prisoner was strapped, spreadeagled, to a large cartwheel that was placed axle-first in the earth so that it formed a rotating platform a few feet above the ground. The wheel was then slowly rotated while an executioner methodically crushed the bones in the condemned man’s body, starting with his fingers and toes and working inexorably inward. An experienced headsman would take pride in ensuring that his victim remained conscious throughout the procedure, and when his work was done, the wheel would be hoisted upright and fixed in the soil, leaving the condemned to hang there until he died from shock and internal bleeding a few hours or a few days later.

“Breaking” was reserved for the most dangerous of criminals: traitors, mass killers and rebellious slaves whose plots threatened the lives of their masters and their masters’ families. Yet in the case of one man who endured the punishment, a slave known as Prince Klaas, doubts remain about the extent of the elaborate conspiracy he was convicted of organizing on the West Indian island of Antigua in 1736. The planters who uncovered the plot, and who executed Klaas and 87 of his fellow slaves for conceiving of it, believed it had as its object the massacre of all 3,800 whites on the island. Most historians have agreed with their verdict, but others think the panicky British rulers of the island exaggerated the dangers of a lesser plot—and a few doubt any conspiracy existed outside the minds of Antigua’s magistrates.
Continue reading